世界人居

U.N.I.D所倡導的設計,首先需要回歸空間的性格,當它已經(jīng)足夠可以帶來體驗,設計的工作就變得沒有那么強烈,在我們看來甚至是多余的。

場所中的精神內(nèi)核,來自于空間中的獨立島臺,我們將它視作到達未來的裝置入口。

The spiritual core of the place comes from an isolated island in space, which is taken by us as the entrance to the future facilities.

The design advocated by U.N.I.D first needs to return to the character of space. When it is enough to bring the experience, the design work becomes less intense, which becomes even redundant in our view.

場所中的材料,采用建筑剩余材料制作完成,這讓它有了內(nèi)在的生命基因,從而實現(xiàn)完整獨立的精神意義。

The materials in the site are made of the surplus materials of the building, which gives it the inherent life genes to achieve a complete and independent spiritual significance.

不使用多余的設計方法,甚至色彩表現(xiàn)。讓空間變得緩慢、老舊、粗獷。從而使場所精神的力量更接近人的情緒釋放,我們把這種情緒理解為未來的孤立感。

“臨時性”的美感是相對的,是與場所使用過程顯現(xiàn)的感受形成的悖論。

與常規(guī)認知的空間舒適感相悖,使人的溝通和場所向外的情緒張力最大程度地體現(xiàn)出來。

Not using the redundant design methods or even color performance makes the space slow, old and rough. Therefore the power of the place spirit is closer to the release of people's emotions, which we understand as the emotion of isolation in the future.

The beauty of “temporary” is relative and is a paradox formed by the feelings that appear in the use of the place.

Contrary to the spatial comfort of conventional cognition, the external emotional tension of the human communication and the place is maximized.

在設計過程中,U.N.I.D對材料的理解很直接,最大限度地使用多余和可降解的廢置材料,不影響建筑結(jié)構(gòu)的涂裝,靈活的場所組織機能,體現(xiàn)我們對隱性不自然狀態(tài)的思考,這讓最終呈現(xiàn)出的場所有了自然顯性的表達--人、物、域的重疊共生。

In the design process, UNID’s understanding to materials is straightforward, maximizing the use of redundant and degradable waste materials, does not affect the painting of the building structure, the flexible site organization ability, reflecting our thinking about hidden and unnatural conditions. This allows the final presentation of the place to have a natural dominant expression - overlapping symbiosis of people, things and domains